The band keeps the same motive throughout the remaining verses for the song. The chorus of this song is quite simple, but it is very memorable and easy to sing to. As the first verse comes in, it is heard that there is a steady beat that is portrayed through a low electronic tone. “All Night” starts with an upbeat back-track that is led by the instrumental section. This song, in general, has a very new sound to it, which is very strong for the band. Near the end of the song, the band provides another guitar solo mixed with an instrumental interlude that has faint interjects of the spoken-word text. This spoken-word technique shows that this band has a wider diversity with what they can do musically, which helps makes their listener’s want to stay engaged. The vocals of this song bounce back-and-forth from regular vocals that have been heard on the album and spoken-word text. After this small interlude, the vocals are introduced with the percussive backbeat that establishes the groove of the selection. “All I Want” starts with an electronic group of sounds that resonate like the twinkling of a star. The middle of this song drops down to basically nothing but the vocals and the percussive steady beat until the band resolves back to its original sound from the beginning of the song. Throughout the long lyrical sections sung by the vocalist, the band provides gentle countermelodies underneath to keep the song melodically interesting to the ear. The vocal part of this work is generally slow and lyrical, but this is effective for the album because this selection gives the audience a song where they can relax and just sing along. On top of that beat, the band provides simple piano chords, which are eventually expanded into something more musically interesting. “Surrender” starts with another electronic tone that leads into a steady beat presented by the percussion section. The band does provide a middle section where they bring their melodic material down in dynamics, but they take that down to build it up bigger and better than before. The chorus of this work is one of those sections that makes listener’s want to tap their foot (no pun intended) and groove along with the band. The vocal part of this song is quite pleasing to the ear and is very fascinating. During this song, the instrumental section toys with different sounds to enhance certain aspects of the melody. The back-beat of the work is a tad slower than the previous track, but it falls directly in the spectrum of where a standard song would fall. “One Foot” starts with the background vocals singing “woah” that quickly smooths over to the lead vocals. This is definitely a foreseen favorite of the album because it is completely different than anything that is being featured musically, at the moment. This interlude has the works: a guitar solo, a groove set by the percussive elements, odd electronic tones and semitones, and this all is later joined with the diverse lyrics to round out the piece. The vocals of this selection build until the band arrives to their big instrumental interlude in the middle of the song. The instrumental part of this selection has a quicker foundation to it with spurts of electronics thrown in to interrupt the flow from time to time. This works well for this selection, for the band toys with that influence while evolving on that sound throughout the song. The initial genre that this song gives off is “New wave” band feel. “Headphones” starts with another electronic tone that builds up to the entrance of eclectic vocals. In the middle of the song, the band presents a guitar motive with quieter vocals overlapping overtop of it, Overall, this song is quite catchy and a strong album opener. The instrumental part of this song is minimal, yet it provides the audience with a clean and concise groove that eases them into the album.
The band utilizes background vocals throughout this verse as well as the entire song, providing countermelodies that enhance the main vocal part.
“Press Restart” starts with a slow growing electronic tone that leads right into the first verse of the album that has a mixed sound of electronics and straight vocals.